Spooky things usually tend to happen around Halloween. Well, for some opera fans, Halloween was certainly in the air during an afternoon performance of Rossini's "Guillaume Tell" at New York's Metropolitan Opera on Saturday, October 29, 2016.
A 52- year-old man, who was seated in the first row, decided to sprinkle a powdery substance into the orchestra pit during the second intermission. According to John Miller, the New York Police Department's deputy commissioner in charge of intelligence and counterterrorism, the man, who has now been identified and is from Dallas, told other members of the audience that he was there to sprinkle the ashes of his mentor, a fellow opera lover, during the performance.
Met officials were forced to cancel the rest of the "Guillaume Tell" performance on Saturday, as well as an evening performance of "L'Italiana in Algeri," so that the police could investigate the scene. Audience members were left in the dark, having originally been told that there was a technical issue during the intermission, as the Met officials decided how to proceed once the powder substance was found. Ultimately, nearly 4,000 spectators were told to leave, but as they exited, they noticed the counterterrorism unit entering the building, which was a bit alarming for some of the opera enthusiasts. Other audience members were disappointed that they did not get to experience the final Act, especially considering the fact that this opera had not been performed at the Met in more than 80 years before this season. The Met is offering refunds to the audience members that were forced to evacuate from the performance and is supposed to be open as of Monday, October 31.
The police are still in the process of actually testing the powder that was found in the orchestra pit to determine if the powder is in fact human remains. Miller was quoted saying that while the disposal of ashes at an opera house may violate city codes, he doesn't "believe at this point that we see any criminal intent here." The Met General Manager said that this was the first time he has seen this happen in eleven years. But, Miller said in his experience, they have seen this in many public places, including monuments, stadiums and other venues, in attempts to honor their loved ones.
For an opera lover, the chance to have their ashes sprinkled at the New York Metropolitan Opera seems like the opportunity of a lifetime, or rather the after-lifetime, but obviously this poses some public health concerns, which is why the Met does not condone the continuing of this practice, as much as they appreciate those who love their performances and art.